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Carmin

, 2024
Size: 56 X 67 cm | 22.05 X 26.38 inches
Oil on Canvas
5,200 £ 4,160 5,002 18,990
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Sophie Dumont’s Carmin is a powerful abstract oil painting that explores bold color contrasts and layered textures.

Measuring 67 x 56 cm, this dynamic composition features striking red and orange tones softened by hints of gray, creating a balance of warmth and energy. Dumont’s expressive brushwork and thoughtful addition of collage techniques give depth and dimension to the artwork, drawing the viewer’s eye across the canvas.

The dominant carmine reds evoke passion and vibrancy, while the layered gray tones provide grounding harmony. Framed in black, Carmin is perfect for modern living spaces, office interiors, or art galleries seeking a statement piece. The textured strokes, coupled with Sophie Dumont’s keen exploration of abstract forms, make this painting both visually arresting and emotionally engaging.

This work seamlessly merges expressionism with modern abstraction, offering viewers a chance to interpret the dynamic interplay of color and form. Dumont’s artistry brings life and movement to the canvas, making Carmin an ideal centerpiece for any contemporary interior.

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Sophie Dumont

Sophie Dumont

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Biography

Born in Paris on April 09, 1964. Lives and works in Langrune sur Mer (Normandy)

Born in Paris on April 09, 1964. Lives and works in Langrune sur Mer (Normandy)

Sophie Dumont moved away from the Metropolis to live a few years in the Antilles, Spain and finally in Morocco.

She stores up a host of images and colors that she will carefully keep at the bottom of her memory.

On her return to France in 1991, she took the plunge and grabbed the brushes. From her earliest childhood, she was immersed in the world of painting, through the drawings of Henriette Dumont, her paternal grandmother who sketches at all times, children and grandchildren with a line that can recall that of Matisse.

Sophie Dumont is interested in the history of art, works for several years, searches, discovers in order to fully realize herself around 2007.

Its invoice becomes stronger, the layers multiply on the canvas, revealing a beach or cliffs to whoever wants to discover them.

His work in oil takes on its full value in successive layers and transparencies in shades of gray and white.

Sophie DUMONT extends her exploration of the Norman universe.

The environment is familiar to her, but she stubbornly welds the slightest vibrations.

The omnipresent landscape hides from view to reveal furtive appearances that drown in the pearly and translucent light.

The subliminal vision of a horizon cut out by distant cliffs evokes a daily life punctuated by a constantly changing space.

Nothing disturbs the tranquility of a space shaped by these diaphanous lights, a mixture of grays and shadows that subtly play with the fluidities of air and water. These landscapes imbued with a lyricism bordering on abstraction seem to move away from a reality that the heaviness of traditional painting wants to find in the recognizable.

The representation is irreversibly detached from the motif to better reflect the emotion aroused by the total immersion in the painting. The image fades before the senses, giving the viewer his freedom of interpretation.

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